Type Your Characters, Pt. 2

Patricia MiltonBlog, Plays

One way the Enneagram can be useful is in identifying motivations for different characters. Each Enneagram Type has a secret fear, which isn’t true, but which drives their actions and reactions. These underlying false fears can be helpful in choosing characters’ behavior over the course of the play. One: Mistakes are unacceptable. Two: I am not lovable. Three: I am …

Type Your Characters, Pt. 1

Patricia MiltonBlog, Plays

I’ve been using the Enneagram to type my characters for nearly a decade. It’s a fantastic way to ensure my characters are believable, and act like real people … while allowing me to identify realistic fears, backstories, and behavior patterns for them. I learned a few years back that Theresa Rebeck uses the Enneagram, too, when she mentioned it on …

Butter

Patricia MiltonBlog

My mother loves butter more than I do, more than anyone. She pulls chunks off the stick and eats it plain, explaining cream spun around into butter! Growing up we ate turkey cutlets sauteed in lemon and butter, butter and cheese on green noodles, butter melting in small pools in the hearts of Yorkshire puddings, butter better than gravy staining …

Calm Down

Patricia MiltonAudio, Blog

The podcast “Calm Down: Relax and Meditate” is one of my go-to soothers right now. My favorite short audio meditation is called “Halfway There.” It’s a very short (~six minute) listen that can help you restart your day anew, at any time. You can listen to that meditation and several others, or even soundscapes like rainforest sounds or white noise …

A Small Needful Fact

Patricia MiltonBlog, Quote

I have done a lot of research on domestic (intimate partner) violence. One of the cautions that comes up again and again in these cases is that strangling (use of a chokehold) leaves no marks, yet can do unimaginable damage as it cuts off oxygen to the brain. Very often, a strangulation attempt is that last violent action before murder. …

Flattened

Patricia MiltonBlog, News & Stuff

My latest project is a two-person play called “Flattened.” It can be an audio play, or alternating monologues on Zoom, or even presented live onstage with one actor standing before the audience at a time. It’s designed for pandemic performance. Two characters, Libby and Alan, are being interviewed by unseen authorities, about an accidental death that took place at the …

Lullaby

Lullaby

Patricia MiltonBlog

by Langston Hughes (For a Black Mother) My little dark baby, My little earth-thing, My little love-one, What shall I sing For your lullaby? Stars, Stars, A necklace of stars Winding the night. My little black baby, My dark body’s baby, What shall I sing For your lullaby? Moon, Moon, Great diamond moon, Kissing the night. Oh, little dark baby, …

Gift

Patricia MiltonBlog, Quote

Los Angeles announced a while back that a Metro bus card will feature the poem “Gift,” by Czeslaw Milosz. The Metro people said, “Poetry can soothe the soul of many a traveler. The poetry cards on Metro Buses – you’ll find them scattered about in that indented ledge above the windows – have become a welcome respite from a busy …

Choosing a Concept

Patricia MiltonBlog, Quote

Over at Medium, Scott Myers frames four questions to consider when choosing a play concept. “I have framed these four questions from a script reader and buyer’s perspective,” he writes. “However they work at the level of a writer thinking about the story strictly as a writing project: Does the concept have enough of a grab to give me confidence …

Premise: the essentials

Patricia MiltonBlog, Quote

This is a checklist for a successful premise, from the blog Storyfix, by author Larry Brooks. It’s pretty solid. A protagonist/hero whose life (within a given time, place, location, sociopolitical subtext) is interrupted, disrupted, or otherwise leads toward… (this being the setup of the story) a specific problem, need, or opportunity to which the hero must respond, launching a quest …