Below you'll find a list of all posts that have been categorized as “New Plays”
The third and final play in the Victorian Ladies’ Detective Collective trilogy opens July 13 at the Berkeley City Club. This is the first one where a woman gets to play multiple roles. It has been a joy to work with Kimberly Ridgeway, my director, and a fantastic cast of actors on this piece. Tickets and info here. Background and …
“The Engine of Our Disruption” has won first place in the 2024 Scriptwriters & Co International Festival in Bath, UK. My AI comedy would make a fantastic film, as well.
Check these out! “Local playwright Patricia Milton makes dialogue zesty: Each line, however economical, uncovers something cringey, zany or piquant about a fast-talking character.” SF Chronicle Datebook “an exceptional comedy that simultaneously entertains, educates, satirizes and surprises…with top-notch acting and Gary Graves’ skilled direction” E.Mendel, Berkeleyside “Come and see how the Bubble bursts…through a unique comedic lens” P. Morin, Theatrius …
Central Works premieres my comedy “The Engine of Our Destruction” on Saturday, October 14, at the Berkeley City Club. Featuring Chelsea Bearce, Louel Señores, Michael Tuton, and Jan Zvaifler, it’s a comic look at attempts to enforce or regulate AI ethics. The play centers on Kamiri (Chelsea Bearce), new Chief Ethics Officer at Bubble, Inc., whose mother is named Chair …
Coming up at Central Works October 14, my latest comedy is a satirical look at developer bias and shoddy AI. Kamiri is the newly-hired Chief Ethics Officer of a mega-tech company named Bubble, where Artificial Intelligence promises to open up a whole new world of technological possibilities. But when Kamiri discovers that Bubble is developing a new wearable device intended …
I’ve altered the title of my latest play, and thus its dramaturgy page. If you’re interested in AI ethics and the pickle we’re in because it’s hurtling forward without developers thinking through the ethical concerns, take a look. Kamiri is a tech whiz can’t get hired after blowing the whistle on her former company. She swears to remain loyal to …
I haven’t been writing here for a while, since I went on holiday to the British Isles. Whee! At any rate, while I was gone, East Bay Magazine readers voted “Escape from the Asylum” the Best of the East Bay 2022 in the odd category of Theater troupe/Performance. Now, why they would award a best of 2022 when 2022 is …
It’s been a minute since I’ve posted as I am deep into writing “The Engine of our Destruction,” a satire about Artificial Intelligence. The thing is, “Artificial Intelligence” is a contradiction in terms. There are lots of lines that people tell us every day. Among them are “maintenance-free”, “guaranteed for life”, and the old standby, “no new taxes”. But the …
The critics are raving about “Escape from the Asylum!” May all playwrights receive the blessing of such an amazing cast, director, and production company. (photo of Chelsea Bearce and Danielle O’Hare by Robbie Sweeney) “This comedic play charms with quirky characters, clever dialog, feminist issues, and a plot twist leading to a surprise ending. The four actors, three of whom …
I’m back to rewriting (extensively) my AI play. From targeted phishing campaigns to new stalking methods: there are plenty of ways that artificial intelligence could be used to cause harm if it fell into the wrong hands. A team of researchers decided to rank the potential criminal applications that AI will have in the next 15 years, starting with those …